{"id":401,"date":"2021-05-03T09:33:41","date_gmt":"2021-05-03T13:33:41","guid":{"rendered":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/?page_id=401"},"modified":"2021-07-14T11:43:35","modified_gmt":"2021-07-14T15:43:35","slug":"vergari","status":"publish","type":"page","link":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/liv5\/vergari\/","title":{"rendered":"Sara Vergari, \u00ab La d\u00e9mat\u00e9rialisation de l\u2019\u00e9dition de po\u00e9sie. Diffusion num\u00e9rique et critique litt\u00e9raire : le dialogue est-il possible ? \u00bb"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-content\/uploads\/sites\/4\/Vergari.mp3\"><\/audio><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><br>Bibliographie<\/h3>\n\n\n\n<p>Barthes, R., <em>Critique et v\u00e9rit\u00e9<\/em>, \u00c9ditions du Seuil, Paris, 1966.<\/p>\n\n\n\n<p>Berardinelli, A., <em>Poesia non poesia<\/em>, Einaudi, Torino, 2008.<\/p>\n\n\n\n<p>Bertoni A., <em>Poesia italiana dal Novecento a oggi<\/em>, Marietti, Bologna, 2019.<\/p>\n\n\n\n<p>Bon, F., <em>Apr\u00e8s le livre<\/em>, \u00c9ditions du Seuil, Paris, 2011.<\/p>\n\n\n\n<p>Crocco, C., <em>La poesia italiana del Novecento. Il canone e le interpretazioni, <\/em>Il Mulino, Bologna, 2015.<\/p>\n\n\n\n<p>Doueihi, M., <em>Pour un humanisme num\u00e9rique<\/em>, \u00c9ditions du Seuil, Paris, 2011.<\/p>\n\n\n\n<p>Eco, U. et Carri\u00e8re, J.C., <em>N\u2019esp\u00e9rez pas de vous d\u00e9barrasser des livres<\/em>, Grasset, Paris, 2009.<\/p>\n\n\n\n<p>Giovannetti, P., <em>Tra muscolarit\u00e0 e regressione. Poesia dentro la Rete e Rete dentro la Poesia<\/em>, dans <em>La poesia italiana degli anni Duemila, <\/em>Carocci, Roma, 2017.<\/p>\n\n\n\n<p>Lavagetto,&nbsp;M., <em>Eutanasia della critica<\/em>, Einaudi, Torino, 2005.<\/p>\n\n\n\n<p>Meringolo, F., <em>Sulla storia sociale della poesia in Italia<\/em>,&nbsp;<a href=\"http:\/\/www.avantionline.it\/come-fare-sociologia-della-letteratura-attraverso-i-quaderni-italianidipoesia-italiana\/\">http:\/\/www.avantionline.it\/come-fare-sociologia-della-letteratura-attraverso-i-quaderni-italianidipoesia-italiana\/<\/a><\/p>\n\n\n\n<p>\u00c9ditorial <em>Poesia e rete<\/em>, dans le blog <em>Alma Poesia<\/em>, <a href=\"https:\/\/www.almapoesia.it\/inalma\/categories\/gli-editoriali-di-alma\">https:\/\/www.almapoesia.it\/inalma\/categories\/gli-editoriali-di-alma<\/a><\/p>\n\n\n\n<p>Cycle de s\u00e9minaires en ligne <em>Po\u00e8tes-critique&nbsp;: cr\u00e9ation et engagement dans la po\u00e9sie italienne contemporaine (XXI<sup>e<\/sup> si\u00e8cle)<\/em>, CAER, Aix-Marseille Universit\u00e9, <a href=\"https:\/\/www.youtube.com\/channel\/UCtkEnoCAql1-1YAu7hOUabA\/videos\">https:\/\/www.youtube.com\/channel\/UCtkEnoCAql1-1YAu7hOUabA\/videos<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h3 class=\"wp-block-heading\">Sara Vergari<\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-content\/uploads\/sites\/4\/2021\/05\/VERGARI.png\" alt=\"\" class=\"wp-image-402\" srcset=\"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-content\/uploads\/sites\/4\/2021\/05\/VERGARI.png 200w, https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-content\/uploads\/sites\/4\/2021\/05\/VERGARI-150x150.png 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure><\/div>\n\n\n\n<p class=\"bio\">Form\u00e9e \u00e0 l\u2019Universit\u00e9 de Florence (lettres modernes, 2017) et \u00e0 l\u2019Universit\u00e9 catholique de Milan (philologie moderne, parcours m\u00e9tiers de l\u2019\u00e9dition, 2020), Sara Vergari est actuellement doctorante en \u00e9tudes italiennes \u00e0 Aix -Marseille Universit\u00e9 (CAER).<\/p>\n\n\n\n<p class=\"bio\">Ses recherches se penchent sur la po\u00e9sie italienne des XX<sup>e<\/sup> et XXI<sup>e<\/sup> si\u00e8cles, notamment sur les anthologies d\u2019auteur ainsi que sur ses enjeux critiques. Elle r\u00e9dige une th\u00e8se sous la direction de Yannick Gouchan intitul\u00e9e \u00ab\u2009Les anthologies d\u2019auteur de la po\u00e9sie italienne contemporaine (de 1975 \u00e0 nos jours ) : un instrument critique pour l\u2019interpr\u00e9tation\u2009\u00bb. Elle a \u00e9crit l\u2019une des pr\u00e9faces \u00e0 l\u2019anthologie <em>Poeti italianinati negli anni \u201980 e \u201990<\/em> (vol. 2, Interno Poesia, 2020). Elle est collaboratrice de plusieurs revues de po\u00e9sie et litt\u00e9rature italienne.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p>Vous avez aim\u00e9 cette communication scientifique? D\u00e9couvrez les autres de cette <a href=\"https:\/\/projets.ex-situ.info\/etudesdulivre21\/liv5\/\">cinqui\u00e8me livraison<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bibliographie Barthes, R., Critique et v\u00e9rit\u00e9, \u00c9ditions du Seuil, Paris, 1966. Berardinelli, A., Poesia non poesia, Einaudi, Torino, 2008. Bertoni A., Poesia italiana dal Novecento a oggi, Marietti, Bologna, 2019. Bon, F., Apr\u00e8s le livre, \u00c9ditions du Seuil, Paris, 2011. Crocco, C., La poesia italiana del Novecento. Il canone e le interpretazioni, Il Mulino, Bologna, &#8230; <a title=\"Sara Vergari, \u00ab La d\u00e9mat\u00e9rialisation de l\u2019\u00e9dition de po\u00e9sie. Diffusion num\u00e9rique et critique litt\u00e9raire : le dialogue est-il possible ? \u00bb\" class=\"read-more\" href=\"https:\/\/projets.ex-situ.info\/etudesdulivre21\/liv5\/vergari\/\" aria-label=\"En savoir plus sur Sara Vergari, \u00ab La d\u00e9mat\u00e9rialisation de l\u2019\u00e9dition de po\u00e9sie. Diffusion num\u00e9rique et critique litt\u00e9raire : le dialogue est-il possible ? \u00bb\">Lire la suite<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":115,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-401","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-json\/wp\/v2\/pages\/401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-json\/wp\/v2\/comments?post=401"}],"version-history":[{"count":4,"href":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-json\/wp\/v2\/pages\/401\/revisions"}],"predecessor-version":[{"id":490,"href":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-json\/wp\/v2\/pages\/401\/revisions\/490"}],"up":[{"embeddable":true,"href":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-json\/wp\/v2\/pages\/115"}],"wp:attachment":[{"href":"https:\/\/projets.ex-situ.info\/etudesdulivre21\/wp-json\/wp\/v2\/media?parent=401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}